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Moonįull disclosure: this was one of me and my first college boo’s songs. His trademark emotional breakdown on songs such as “Lady In My Life” marks the outro while the entire song defines why we have loved Michael Jackson for as long as we have–he is a romantic whose songs are crafted around emotion. I’ve already played it three times during the writing of this paragraph. It is number one on my list of love songs done in the past decade. And, “Heaven Can Wait is probably number seven on my list of top 10 favorite MJ tunes. But, in true form of a Michael Jackson groupie, I own just about all of his work in some form–vinyl, cassette, CD or MP3. Plus, the release was one of his least successful because by this time, he and Sony were on the outs and it wasn’t promoted properly, though it was among his best work. The main reason is that few have even heard of “Heaven Can Wait” since it was never released as a single. What, no “Billie Jean”? No “Thriller”? Nope. Most folks look at me like I’m crazy when I say that one of MJ’s top 10 songs in my book is “Heaven Can Wait” off of his 2001 Invincible album. The song consists only of a guitar, the snaps of fingers, Marley’s reggae lilt and Badu’s coquettish croon, but it’s just enough to tell the timeless tale of two people who find themselves unable to resist each other. “In Love With You”, from Badu’s Mama’s Gun album, sounds spontaneous and organic, as love itself often is. Stephen Marley: “In Love With You” įor the bohos, the lions of zion, the headwrap set, and anybody else who’s a sucker for a sweet and simple acoustic love song, Erykah Badu and Stephen Marley’s duet is a win. This CD includes two bonus tracks: the demo version of "Butterflies" (which was a hit when performed by Michael Jackson) and a collaboration with Sebastian Rogers on "Now You're Gone (More Than I Can Feel).Erykah Badu feat. The music is classy and sleek, not raucous or abrasive, and Stewart even says to "turn the music down" during "Headache." The duo may sing about bringing the vibe "from SC5 to Philly's Westside" ("Floetic"), but they also dwell a lot on personal heartache sample lyrics include "I cry oceans" ("Headache") and "so much pain and misery" ("If I Were a Bird"), and even "Fun" is hooked around the phrase "this isn't my idea of fun." Ambrosius and Stewart are both adept at their respective vocal techniques, but their main strength is the interplay between their two voices this interplay, like the album in general, is a good demonstration of how contrasting styles can be brought together to form an appealing whole. The album includes some faster hip-hop tracks such as "Opera," but it tends toward mid-tempo grooves and slow jams with an warm, after-dark chill-out feel. Singing "songstress" Marsha Ambrosius and spoken-word "floacist" Natalie Stewart have concocted a smooth, sultry, and soulful album with the help of producers Darren "Limitless" Henson, Keith "Keshon" Pelzer, Vidal Davis, Ivan "Orthodox" Barias, and Andre "Dirty" Harris, whose combined credentials include Bilal and Jill Scott.